The Producers is one of the leading production companies in Egypt that has its own equipment and is keen on introducing the latest of what the market has to offer in cinema and digital equipment to ensure the highest production values for our clients.

If you are interested in viewing a full list of our equipment and their prices, please download the price sheet.
If you have any further inquiries, please contact equipment@theproducersfilms.com

In the past few years The Producers has took the lead in introducing to the Egyptian market a lot of equipment, the most prominent of them are :

• Arricam ST

  The Producers has bought ARRICAM ST in 2007, which is the latest feature film camera that is offered by Arri and there is only two of it available in the Middle East, ours is one of them. The ARRICAM system is a complete 35 mm film production system with modern features like; Super 35, dual pin registration, optional 3 perforation movements, brilliant viewfinders and high quality video assists. The ARRICAM STUDIO is distinguished by its low noise level and many advanced features.

  
  
  

• Arriflex 435 ES

  The Producers have bought it in 2006. It’s the most common camera for TV Commercials and high speed shots. Its main features are: - Low noise level - Available in 4 perforation movements - Combines the features of the 435ES, 435 Advanced and the Functional Expansion Module 2 (FEM-2) in one package, resulting in the most flexible camera for MOS work. - Still as small and robust as its first iteration, the 435 Xtreme is ideal for features, commercials, music videos, Steadicam, special effects or motion control work alike. - Electronically adjustable mirror shutter

  
  
  

• Arri 416 Plus

  The Producers latest technological acquisition is the ARRI Super 16mm, which is offers new levels of image quality and production efficiency. Super 16 is now routinely used for standard and high definition television productions, feature films, commercials and documentaries, and with stunning results. It is a lightweight, modern Super 16 film camera with a 35-style viewfinder and a mirror shutter that can be manually adjusted from 45 to 180 degrees. It also has a low sound level similar to that of the ARRICAM. Its speed range runs from 1 to 75 fps. A completely new lightweight ergonomic design, integrated electronic accessories in the Plus cameras and compatibility with the same lenses and accessories used by their 35 mm siblings make the 416 camera the most powerful, flexible and portable Super 16 camera ever built.

  
  
  

• Arri Master Prime Lenses T 1.3

  It is the latest set of lens offered in the world. The Producers have bought it in 2007 to be the soul owners of such a set in the Egypt. It is a lens that is fast and yet has an optical performance surpassing all current standard speed primes. The Master Primes, are a revolutionary and unique new generation of high speed prime lenses with unprecedented resolution, incredible contrast and virtually no breathing. The Master Primes open up new creative opportunities since they maintain their optical performance across the whole extended T-stop range from T1.3 to T22. Whether you shoot a day/exterior commercial with vibrant colors and high contrast, or a night/interior romantic candlelit dinner for a feature, the Master Primes are a truly universal set of lenses, usable in all lighting conditions.

  
  
  

• Arri Ultra Prime Lenses T 1.9

  The Producers bought this set in 2006, which are the most common set of lens in the commercial industry. Ultra Prime lenses deliver top quality images in all situations and the industry can rely on them under the most adverse environmental conditions. The Ultra Prime lenses are the only modern lenses that retain their excellent image quality even at close focus across the whole Super 35 frame. For directors who like to get in close to the action, this is invaluable.

  
  
  

• Arri Ultra 16 T 1.3

  Along with the Super 16mm, The Producers has acquired the new, complete set of high speed close focus lenses: the Ultra 16 lenses. Like the Master Primes, the Ultra 16 lenses combine high speed with outstanding optical performance. With a widest stop of T1.3 they create shallow depth of field and allow shooting on tight lighting budgets or under severe time pressure. Equalled by no other Super 16 lenses in optical performance, they join the other ARRI lenses in elevating the Super 16 image to its highest possible quality. All nine Ultra 16 lenses (6, 8, 9.5, 12, 14, 18, 25, 35, 50 mm) cover the full Super 16 format and are fully compatible with the optical quality, colour balance and ergonomics of the other ARRI lenses. The Ultra 16 lenses are the perfect companions to the new Super 16 camera.